{"version":"1.0","provider_name":"[PREPROD] Accent 4","provider_url":"https:\/\/accent4.com\/preprod","author_name":"Maxime JULIEN","author_url":"https:\/\/accent4.com\/preprod\/author\/maximeaccent4-com\/","title":"D'un clavier l'autre : Beethoven &#8211; [PREPROD] Accent 4","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Kc9MEQaVSM\"><a href=\"https:\/\/accent4.com\/preprod\/podcast\/dun-clavier-lautre-beethoven\/\">D&rsquo;un clavier l&rsquo;autre : Beethoven<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/accent4.com\/preprod\/podcast\/dun-clavier-lautre-beethoven\/embed\/#?secret=Kc9MEQaVSM\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0D&rsquo;un clavier l&rsquo;autre : Beethoven\u00a0\u00bb &#8212; [PREPROD] Accent 4\" data-secret=\"Kc9MEQaVSM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/accent4.com\/preprod\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2023\/10\/Dun-clavier-a-lautre-Neutre.jpg","thumbnail_width":1200,"thumbnail_height":675,"description":"Dans notre s\u00e9rie consacr\u00e9e \u00e0 la musique pour claviers, voici un \u00e9pisode d\u00e9di\u00e9 \u00e0 la musique de Ludwig van Beethoven. Une s\u00e9lection compl\u00e8tement subjective de sonates, sur pianofortes du d\u00e9but du XIXe si\u00e8cle (Walter, Graff) tout autant que sur des instruments de facture moderne (dont les incontournables Steinway de concert). Une d\u00e9ambulation musicale en compagnie \u2013 entre autres \u2013 de Ronald Brautigam, Alexei Lubimov, Jos van Immerseel, Fazil Say, Rudolf Serkin et Piotr Anderszewski."}