{"version":"1.0","provider_name":"[PREPROD] Accent 4","provider_url":"https:\/\/accent4.com\/preprod","author_name":"Maxime JULIEN","author_url":"https:\/\/accent4.com\/preprod\/author\/maximeaccent4-com\/","title":"La Musique des langues : Le portugais. &#8211; [PREPROD] Accent 4","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iW2Jg4yk7G\"><a href=\"https:\/\/accent4.com\/preprod\/podcast\/la-musique-des-langues-le-portugais\/\">La Musique des langues : Le portugais.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/accent4.com\/preprod\/podcast\/la-musique-des-langues-le-portugais\/embed\/#?secret=iW2Jg4yk7G\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0La Musique des langues : Le portugais.\u00a0\u00bb &#8212; [PREPROD] Accent 4\" data-secret=\"iW2Jg4yk7G\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/accent4.com\/preprod\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2020\/07\/WEISSSENBACHER-CHRISTIANE_001\u00a9Gr\u00e9gory-Massat-e1613475401899.jpg","thumbnail_width":1201,"thumbnail_height":1089,"description":"Fernando Pessoa, \u00ab\u00a0O maestro sacode a batuta\u00a0\u00bb (le chef d\u2019orchestre brandit la baguette) extrait d\u2019un po\u00e8me du Cancioneiro lu par Andr\u00e9 Costa de Monteiro \u00ab\u00a0Gaivota\u00a0\u00bb (Mouette), chant\u00e9 par Am\u00e1lia Rodrigues (paroles d\u2019A. 0\u2019Neill, musique d\u2019Alain Oulman) \u00ab\u00a0Mia irmana fremosa\u00a0\u00bb (Ma douce s\u0153ur), cantiga de amigo de Martin Codax (XIIIe si\u00e8cle)"}