{"version":"1.0","provider_name":"[PREPROD] Accent 4","provider_url":"https:\/\/accent4.com\/preprod","author_name":"Maxime JULIEN","author_url":"https:\/\/accent4.com\/preprod\/author\/maximeaccent4-com\/","title":"La musique des Sph\u00e8res: Astronomes &#8211; [PREPROD] Accent 4","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"zXHrHnSLXh\"><a href=\"https:\/\/accent4.com\/preprod\/podcast\/la-musique-des-spheres-astronomes\/\">La musique des Sph\u00e8res: Astronomes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/accent4.com\/preprod\/podcast\/la-musique-des-spheres-astronomes\/embed\/#?secret=zXHrHnSLXh\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0La musique des Sph\u00e8res: Astronomes\u00a0\u00bb &#8212; [PREPROD] Accent 4\" data-secret=\"zXHrHnSLXh\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/accent4.com\/preprod\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2020\/07\/WEISSSENBACHER-CHRISTIANE_001\u00a9Gr\u00e9gory-Massat-e1613475401899.jpg","thumbnail_width":1201,"thumbnail_height":1089,"description":"Astronomes Rimsky-Korsakov, Le Coq d\u2019or, IntroductionLyubomir Dyakovski (t\u00e9nor) et le Sofia National Opera Orchestra dir. Dimiter Manolov(Capriccio) Vincenzo Galilei, Fugue extraite de Il Fronimo (Venezia, 1584)I Liuti di L\u2019Aura Soave (Marcello Villa Cremona) Chostakovitch, Hamlet op.116, musique pour le film de Kozintsev, 1963-4 sc\u00e8ne de l\u2019empoisonnement Royal Concertgebouw Orchestra dir. Riccardo Chailly(\u00ab&nbsp;The Film Album&nbsp;\u00bb, Decca)"}