{"version":"1.0","provider_name":"[PREPROD] Accent 4","provider_url":"https:\/\/accent4.com\/preprod","author_name":"Maxime JULIEN","author_url":"https:\/\/accent4.com\/preprod\/author\/maximeaccent4-com\/","title":"La Xylochronique:  Les m\u00e9tiers du bois &#8211; [PREPROD] Accent 4","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IMvX5gb0GW\"><a href=\"https:\/\/accent4.com\/preprod\/podcast\/la-xylochronique-les-metiers-du-bois\/\">La Xylochronique:   Les m\u00e9tiers du bois<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/accent4.com\/preprod\/podcast\/la-xylochronique-les-metiers-du-bois\/embed\/#?secret=IMvX5gb0GW\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0La Xylochronique:   Les m\u00e9tiers du bois\u00a0\u00bb &#8212; [PREPROD] Accent 4\" data-secret=\"IMvX5gb0GW\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/accent4.com\/preprod\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2020\/07\/WEISSSENBACHER-CHRISTIANE_001\u00a9Gr\u00e9gory-Massat-e1613475401899.jpg","thumbnail_width":1201,"thumbnail_height":1089,"description":"Les r\u00e9f\u00e9rences musicales de la chronique : a)&nbsp;A.&nbsp;Lortzing, Zar und Zimmermann oder die zwei Peter, I, ch\u0153ur \u00ab&nbsp;Greifet an und r\u00fchrt die H\u00e4nde&nbsp;\u00bb Chor des Bayerischen Rundfunks, M\u00fcnchener Rundfunkorchester, dir. Heinz Wallberg(World of Classic)b)&nbsp;J. Haydn,&nbsp;Die Jahrenszeiten (Les Saisons)Ch\u0153ur Arnold Schoenberg, Concentus Musicus Wien dir. Nikolaus Harnoncourt (Sony)c)&nbsp;P.-L.&nbsp;Hertel&nbsp;et J.&nbsp;Lanchbery, La fille mal gard\u00e9e, acte I, \u00ab&nbsp;danse [&hellip;]"}