{"version":"1.0","provider_name":"[PREPROD] Accent 4","provider_url":"https:\/\/accent4.com\/preprod","author_name":"Maxime JULIEN","author_url":"https:\/\/accent4.com\/preprod\/author\/maximeaccent4-com\/","title":"Le dictionnaire fac\u00e9tieux : Y comme Yiddish ! &#8211; [PREPROD] Accent 4","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"s2788RAhYV\"><a href=\"https:\/\/accent4.com\/preprod\/podcast\/le-dictionnaire-facetieux-y-comme-yiddish\/\">Le dictionnaire fac\u00e9tieux : Y comme Yiddish !<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/accent4.com\/preprod\/podcast\/le-dictionnaire-facetieux-y-comme-yiddish\/embed\/#?secret=s2788RAhYV\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Le dictionnaire fac\u00e9tieux : Y comme Yiddish !\u00a0\u00bb &#8212; [PREPROD] Accent 4\" data-secret=\"s2788RAhYV\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/accent4.com\/preprod\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2020\/07\/WEISSSENBACHER-CHRISTIANE_001\u00a9Gr\u00e9gory-Massat-e1613475401899.jpg","thumbnail_width":1201,"thumbnail_height":1089,"description":"l\u2019ouverture de Fiddler on the roof compos\u00e9e par Ferenc J\u00e1vori (Budapester Klezmer Band) pour l\u2019adaptation de la com\u00e9die musicale am\u00e9ricaine au Mad\u00e1ch Theater de Budapest en 1996 \u00ab Lekhah dodi \u00bb, niggun chant\u00e9 par les hassidim de Gour (Gor\u00e1 Kalwaria en Pologne) Dave Tarras avec l\u2019Abe Schwartz Orchestra: Unzer Toirele (1928) Chanson de la mis\u00e8re, [&hellip;]"}