{"version":"1.0","provider_name":"[PREPROD] Accent 4","provider_url":"https:\/\/accent4.com\/preprod","author_name":"Maxime JULIEN","author_url":"https:\/\/accent4.com\/preprod\/author\/maximeaccent4-com\/","title":"Opus Musiques franc\u0327aises des deux entre-deux-guerres &#8211; [PREPROD] Accent 4","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"R1UM66KHcw\"><a href=\"https:\/\/accent4.com\/preprod\/podcast\/opus-musiques-franc%cc%a7aises-des-deux-entre-deux-guerres\/\">Opus Musiques franc\u0327aises des deux entre-deux-guerres<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/accent4.com\/preprod\/podcast\/opus-musiques-franc%cc%a7aises-des-deux-entre-deux-guerres\/embed\/#?secret=R1UM66KHcw\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Opus Musiques franc\u0327aises des deux entre-deux-guerres\u00a0\u00bb &#8212; [PREPROD] Accent 4\" data-secret=\"R1UM66KHcw\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/accent4.com\/preprod\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2022\/12\/Publication-format-Carre\u0301-Jeux-1.png","thumbnail_width":1080,"thumbnail_height":1080,"description":"Une immersion dans cette p\u00e9riode tr\u00e8s riche avec notament Elisabeth BRISSON historienne et musicologue, Alain PERROUX directeur g\u00e9n\u00e9ral de l\u2019Op\u00e9ra national du Rhin et J\u00e9rome VETTER pr\u00e9sident de la Philharmonie. Une \u00e9mission anim\u00e9e par Olivier Erouart et Michelle Beck."}