{"id":285,"date":"2019-09-05T08:29:13","date_gmt":"2019-09-05T07:29:13","guid":{"rendered":"https:\/\/accent4-prod.ngk.io\/?p=285"},"modified":"2019-09-24T08:32:01","modified_gmt":"2019-09-24T07:32:01","slug":"festival-de-salzbourg-salome","status":"publish","type":"post","link":"https:\/\/accent4.com\/preprod\/festival-de-salzbourg-salome-285\/","title":{"rendered":"Festival de Salzbourg. Salom\u00e9."},"content":{"rendered":"\n

UNE SURPRENANTE\nSALOME<\/strong><\/p>\n\n\n\n

28 ao\u00fbt 2019<\/p>\n\n\n\n

Festival de\nSalzbourg : Felsenreitschule<\/p>\n\n\n\n

Richard\nStrauss : Salom\u00e9<\/strong><\/p>\n\n\n\n

John Daszak\n(Herodes), Anna-Maria Chiuri (Herodias), Asmik Grigorian (Salom\u00e9), Gabor Bretz\n(Jochanaan), Julian Pr\u00e9gardien (Narraboth), Romeo Castellucci (mise en sc\u00e8ne,\nd\u00e9cors, costumes et lumi\u00e8res), Cindy Van Acker (chor\u00e9graphie), Wiener Philharmoniker,\nFranz Welser-M\u00f6st (direction musicale).<\/p>\n\n\n\n

\"\"\/<\/a><\/figure>\n\n\n\n

Salom\u00e9<\/em>, dans la\nr\u00e9alisation de Rom\u00e9o Castellucci, \u00e9tait reprise cette ann\u00e9e avec la m\u00eame distribution\nqu\u2019en 2018. Franz Welser-M\u00f6st reprenait la baguette pour conduire le Wiener\nPhilharmoniker \u00e0 un sommet d\u2019incandescence. Asmik Grigorian, fragile\nfemme-enfant, \u00e9tonnait \u00e0 nouveau par sa jeunesse apparente et sa voix\ns\u00e9duisante au timbre charmeur et aux puissants aigus lumineux. Face \u00e0 elle,\nGabor Bretz, Jochannaan<\/em>, impressionnait par sa puissance vocale, et John\nDaszak campait un Herodes<\/em> cauteleux, obs\u00e9d\u00e9 par le d\u00e9sir. Julian\nPr\u00e9gardien incarnait un Narraboth<\/em> attachant et Anna-Maria Chiuri une redoutable\nHerodias<\/em>. Un spectacle de Romeo Castellucci est difficilement\ndescriptible et chaque spectateur le re\u00e7oit selon sa sensibilit\u00e9\u2026 et sa\nculture. Il fourmille d\u2019\u00e9l\u00e9ments paraissant anecdotiques et posant pourtant\nautant de questions sans r\u00e9ponse \u00e9vidente. Ne citons que les temps les plus\nforts : l\u2019absence de Danse des Sept Voiles<\/em> qui ne se passe qu\u2019\u00e0\nl\u2019orchestre, Salom\u00e9 \u00e9tant fig\u00e9e sur un bloc de pierre et enferm\u00e9e dans une\nautre pierre descendue des cintres. Puis ce monologue final o\u00f9 elle clame son amour\net sa frustration au corps nu d\u00e9capit\u00e9 de Jochanaan<\/em>. Dans le jeu de\nsc\u00e8ne habituel, elle se contente de la t\u00eate, mais ici la charge \u00e9rotique et\nmorbide en est d\u00e9cupl\u00e9e. <\/p>\n\n\n\n

Pierre Iung<\/p>\n\n\n\n

Photo : Ruth Walz <\/p>\n","protected":false},"excerpt":{"rendered":"

UNE SURPRENANTE SALOME 28 ao\u00fbt 2019 Festival de Salzbourg : Felsenreitschule Richard Strauss : Salom\u00e9 John Daszak (Herodes), Anna-Maria Chiuri (Herodias), Asmik Grigorian (Salom\u00e9), Gabor Bretz (Jochanaan), Julian Pr\u00e9gardien (Narraboth), Romeo Castellucci (mise en sc\u00e8ne, d\u00e9cors, costumes et lumi\u00e8res), Cindy Van Acker (chor\u00e9graphie), Wiener Philharmoniker, Franz Welser-M\u00f6st (direction musicale). Salom\u00e9, dans la r\u00e9alisation de Rom\u00e9o Castellucci, \u00e9tait […]<\/p>\n","protected":false},"author":5,"featured_media":286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override":[{"single_blog_custom":"","sidebar":"","second_sidebar":"","share_position":"","share_float_style":"","post_date_format":"","post_date_format_custom":"","number_popup_post":"1"}],"image_override":[{"single_post_thumbnail_size":"","single_post_gallery_size":""}],"trending_post_position":"","trending_post_label":""},"jnews_primary_category":{"id":""},"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[178],"tags":[182,181,183,184,179,180],"series":[],"class_list":["post-285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-compte-rendu-opera","tag-asmik-grigorian","tag-franz-welser-most","tag-pierre-iung","tag-richard-strauss","tag-salome","tag-wiener-philharmoniker"],"episode_featured_image":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2019\/09\/salome-2019-c-sf-ruth-walz-02.jpg","episode_player_image":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2024\/10\/Design-Accent-4-Basic-scaled.jpg","download_link":"","player_link":"","audio_player":false,"episode_data":{"playerMode":"dark","subscribeUrls":{"amazon":{"key":"amazon","url":"","label":"Amazon","class":"amazon","icon":"amazon.png"},"deezer":{"key":"deezer","url":"","label":"Deezer","class":"deezer","icon":"deezer.png"},"spotify":{"key":"spotify","url":"","label":"Spotify","class":"spotify","icon":"spotify.png"},"youtube":{"key":"youtube","url":"","label":"YouTube","class":"youtube","icon":"youtube.png"}},"rssFeedUrl":"https:\/\/accent4.com\/preprod\/feed\/podcast\/accent-4","embedCode":"

Festival de Salzbourg. Salom\u00e9.<\/a><\/blockquote>