{"id":321,"date":"2019-05-23T09:01:40","date_gmt":"2019-05-23T08:01:40","guid":{"rendered":"https:\/\/accent4-prod.ngk.io\/?p=321"},"modified":"2019-09-24T09:04:13","modified_gmt":"2019-09-24T08:04:13","slug":"transfert-et-traumatisme","status":"publish","type":"post","link":"https:\/\/accent4.com\/preprod\/transfert-et-traumatisme-321\/","title":{"rendered":"TRANSFERT ET TRAUMATISME"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><a href=\"https:\/\/2.bp.blogspot.com\/-mSlQtNvCPhA\/XOZFD9w0ItI\/AAAAAAAADVU\/NinI4pIqKWIMstY4iRenjGotxVwt_soxACLcBGAs\/s1600\/Elektra%2BKarlsruhe.jpg\"><img decoding=\"async\" src=\"https:\/\/2.bp.blogspot.com\/-mSlQtNvCPhA\/XOZFD9w0ItI\/AAAAAAAADVU\/NinI4pIqKWIMstY4iRenjGotxVwt_soxACLcBGAs\/s320\/Elektra%2BKarlsruhe.jpg\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<p><strong>TRANSFERT ET\nTRAUMATISME<\/strong><\/p>\n\n\n\n<p>Karlsruhe<br>\nBadisches Staatstheater<\/p>\n\n\n\n<p><strong>Richard Strauss : <em>Elektra <\/em><\/strong><\/p>\n\n\n\n<p>18 mai 2019<\/p>\n\n\n\n<p>Rachel Nicholls (Elektra), Anna Elisabeth Gabler (Chrysothemis),\nAnna Dank (Clytemnestre), Renatus Mezcar (Oreste), Matthis Wohlbrecht (<em>\u00c9<\/em><em>gisthe<\/em>), Keith Warner (mise en sc\u00e8ne), Kaspar Kudlicka (d\u00e9cors),\nJohn Bishop (lumi\u00e8re), Badische Staatskapelle, Justin Brown (direction\nmusicale) <\/p>\n\n\n\n<p>Une jeune femme visite un mus\u00e9e arch\u00e9ologique et s&rsquo;y laisse enfermer dans\nune salle consacr\u00e9e aux antiquit\u00e9s myc\u00e9niennes. Y sont entre autres expos\u00e9s le\nmasque d&rsquo;or mortuaire d&rsquo;<em>Agamemnon<\/em>, la hache avec laquelle il fut\nassassin\u00e9, ainsi que la couronne de la reine Clytemnestre<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Clytemnestre\"><\/a>. Ces objets r\u00e9veillent en la jeune femme le pass\u00e9 traumatisant d&rsquo;un drame\nfamilial sanglant v\u00e9cu dans son enfance. L&rsquo;histoire d&rsquo;<em>Elektra<\/em> \u00e0 laquelle\nelle s&rsquo;identifie devient alors la sienne. Elle en conna\u00eetra la destin\u00e9e\ntragique, revivant ses confrontations avec sa s\u0153ur <em>Chrysoth\u00e9mis<\/em> et sa\nm\u00e8re <a href=\"https:\/\/www.blogger.com\/null\"><em>Clytemnestre<\/em><\/a>. La rencontre avec son fr\u00e8re\n<em>Oreste <\/em>se concr\u00e9tise par de tendres \u00e9panchements proches de l&rsquo;inceste.\nLe d\u00e9cor reproduit fid\u00e8lement la salle du mus\u00e9e mais d&rsquo;autres \u00e9l\u00e9ments\nappara\u00eetront ensuite de chaque c\u00f4t\u00e9. Dans l&rsquo;\u00e9vier d&rsquo;une cuisine, <em>Oreste<\/em>\nex\u00e9cute sa m\u00e8re, <em>Clytemnestre<\/em>. <a href=\"https:\/\/www.blogger.com\/null\"><em>\u00c9<\/em><\/a><em>gisthe<\/em>, l&rsquo;amant et le\ncomplice de la reine, trouve refuge dans la chambre de <em>Chrysothemis <\/em>o\u00f9<em>\nOreste<\/em>, en trois coups d&rsquo;\u00e9p\u00e9e, venge son p\u00e8re <em>Agamemnon<\/em>. C&rsquo;est dans\nun \u00e9tat hyst\u00e9rique que meurt celle qui s&rsquo;incarne en<em> Elektra<\/em> et dont les\nvisiteurs matinaux du mus\u00e9e d\u00e9couvriront le corps sans vie.<\/p>\n\n\n\n<p>Rachel Nicholls conf\u00e8re au r\u00f4le \u00e9prouvant d&rsquo;<em>Elektra<\/em> une force\nincandescente. Ses deux partenaires f\u00e9minines, Anna Danik et Anna Elisabeth\nGabler, t\u00e9moignent d&rsquo;une belle tenue vocale, tout comme Renatus Meszar et\nMatthias Wohlbrecht. Justin Brown met son orchestre survolt\u00e9 au service de la\npartition tellurique de Richard Strauss.<\/p>\n\n\n\n<p>Pierre Iung<\/p>\n\n\n\n<p>Photo :&nbsp; Rachel Nicholls (Elektra) Cr\u00e9dit : Falk von Traubenberg<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TRANSFERT ET TRAUMATISME Karlsruhe Badisches Staatstheater Richard Strauss : Elektra 18 mai 2019 Rachel Nicholls (Elektra), Anna Elisabeth Gabler (Chrysothemis), Anna Dank (Clytemnestre), Renatus Mezcar (Oreste), Matthis Wohlbrecht (\u00c9gisthe), Keith Warner (mise en sc\u00e8ne), Kaspar Kudlicka (d\u00e9cors), John Bishop (lumi\u00e8re), Badische Staatskapelle, Justin Brown (direction musicale) Une jeune femme visite un mus\u00e9e arch\u00e9ologique et s&rsquo;y [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override":[{"single_blog_custom":"","sidebar":"","second_sidebar":"","share_position":"","share_float_style":"","post_date_format":"","post_date_format_custom":"","number_popup_post":"1"}],"image_override":[{"single_post_thumbnail_size":"","single_post_gallery_size":""}],"trending_post_position":"","trending_post_label":""},"jnews_primary_category":{"id":""},"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[178],"tags":[252,254,249,250,255,248,253,183,251,184],"series":[],"class_list":["post-321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-compte-rendu-opera","tag-anna-elisabeth-gabler","tag-badische-staatskapelle","tag-badisches-staatstheater","tag-elektra","tag-justin-brown","tag-karlsruhe","tag-keith-warner","tag-pierre-iung","tag-rachel-nicholls","tag-richard-strauss"],"episode_featured_image":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2019\/09\/cropped-Elektra-Karlsruhe.jpg","episode_player_image":"https:\/\/accent4.com\/preprod\/wp-content\/uploads\/2024\/10\/Design-Accent-4-Basic-scaled.jpg","download_link":"","player_link":"","audio_player":false,"episode_data":{"playerMode":"dark","subscribeUrls":{"amazon":{"key":"amazon","url":"","label":"Amazon","class":"amazon","icon":"amazon.png"},"deezer":{"key":"deezer","url":"","label":"Deezer","class":"deezer","icon":"deezer.png"},"spotify":{"key":"spotify","url":"","label":"Spotify","class":"spotify","icon":"spotify.png"},"youtube":{"key":"youtube","url":"","label":"YouTube","class":"youtube","icon":"youtube.png"}},"rssFeedUrl":"https:\/\/accent4.com\/preprod\/feed\/podcast\/accent-4","embedCode":"<blockquote class=\"wp-embedded-content\" data-secret=\"fzcXKoBH78\"><a href=\"https:\/\/accent4.com\/preprod\/transfert-et-traumatisme-321\/\">TRANSFERT ET TRAUMATISME<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/accent4.com\/preprod\/transfert-et-traumatisme-321\/embed\/#?secret=fzcXKoBH78\" width=\"500\" height=\"350\" title=\"\u00ab\u00a0TRANSFERT ET TRAUMATISME\u00a0\u00bb &#8212; [PREPROD] Accent 4\" data-secret=\"fzcXKoBH78\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! 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